Optional — anonymous feedback is welcome.

In a few sentences, how would you describe your experience reading this book?

The Push is meant to stand alone. If you came in cold, did it work? If you read Book One first, did Frank still feel like the same man, three years on?

Frank is older now, and the loss has settled in differently. Did his voice feel right? Were there moments where he didn't sound like himself, or where the years between books showed in a way that worked — or didn't?

Ryan is the young welder bound for Churchill. He's the one who wakes everything up. Did he feel like a real person? Did that first conversation at the door carry the weight the rest of the book leans on?

Frank's relationship with the AI has changed. Did Jean's evolution feel earned? Did the sessions still feel useful to the story — or did they get in the way at any point?

The heart of the book is Frank arguing Silvia's side of an old disagreement she isn't there to make herself — about whether the daughters should have stayed, or whether he was right to tell them to go. Did that argument feel earned? Did you believe Silvia's side as Frank made it?

The book moves through The Meeting, The Remembering, and The Leaving. Did that structure work for you? Did one part pull ahead of the others? Did any part feel like it overstayed?

Which scene or moment stayed with you most? What made it work?

Was there a section where your attention drifted, or something that felt unnecessary? Be honest — this is the most useful feedback.

Did the final chapters and the epilogue land? Did the book end at the right moment? Did it feel complete, given this is Book Two of a series?

How was the pace? Rate from 1 (too slow) to 5 (just right) to 10 (too fast).

If a friend asked "should I read this?" — what would you say?

Would you be willing to provide a short quote we could use on the book's website or back cover? One or two sentences. No pressure at all.

Would you like your name included in a thank-you page in the published book?

Typos you caught, lines that made you laugh or cry, things you'd change, things you wouldn't touch — all welcome.